Progressions in A — Oud

A major harmonises to A – Bm – C#m – D – E – F#m – G#°; A minor to Am – B° – C – Dm – Em – F – G. Each chord links to its Oud voicings, so a change in A becomes a short list of positions rather than a search.

This diatonic table is Western tertian theory, laid over an instrument whose own repertoire leans on maqam more often than on chord changes — a useful map when the oud sits in a mixed ensemble, and honestly labelled as a borrowed lens rather than the instrument's native one.