C# Dorian — Oud

Hear C# Dorian, then trace every marked root across the six-course reference grid below.

C# Dorian is 7 notes to the octave (modes family), drawn here across the Oud's CFADGC courses with every C# marked, so home stays visible from anywhere on the fingerboard.

Minor with a raised 6th (natural 6) — soulful, smooth, and less dark than natural minor. The quintessential jazz-minor and blues mode.

Heard in: "So What" (Miles Davis), "Oye Como Va" (Santana), "Eleanor Rigby" (Beatles) — rock, blues, funk, jazz.

Six courses tuned CFADGC give a scale plenty of room, but the honest caveat travels with every map here: maqam scales bend intervals a 12-position board cannot draw, so these positions are a reference grid, not the microtonal reality a taqsim actually plays. Every root is marked so the pattern never loses home even where the notation and the tradition part ways.

Play it as a reference, not a rulebook: the pattern gives you every 12-TET position the scale touches, but a maqam-trained ear will pull some of those tones a quarter step in performance. Learn the grid first, then learn where the tradition asks you to leave it.